Doors of Perception 4 S P E E D - S P E A K E R T R A N S C R I P T -
Gaston Roberge:Speed --Ethics and Aesthetics
"In Blake's phrase, the doors of Vermeer's perception..." Aldous Huxley (2)
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speed, felt, experienced,
speed, perceived with the inner senses
the door
to that inner perception of speed
is stasis
the stasis of self
when that shines, everything shines
says a verse from the Mundaka Upanishad (3)
but when that rests, everything moves
for a while
reduce visual stimuli
reduce discourse to the sound of OM
OM OM OM
while our minds rest in stasis
a singer sings, modulating speed
we surf on the wave of his song
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i am the site
of an infinite variety of speeds
from slow to fast
it speeds within me
breathing in and out
blood flowing
nervous impulses
firing of brain cells
each organ has its own speed
as required by its function
it speeds also outside me
wind
clouds
rivers
fire
animals
birds and insects
humans
atoms
light
each has its own speed
as required by its function
finally the environment, i within it
speeds away towards unknown ports
while planet earth spinning on its axis
voyages round the sun
and drags along its indifferent moon
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all speeds are fixed
or fluctuate within fixed limits
all speeds are functional
determined by the nature and function
of the speeding body
this might
generate predictability and monotony
but since each speed
is in harmony with the rest
there results
a grand polyphony a cosmic ballet
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within that cosmic ballet
humans have the astounding power
to create speeds that are
free from any function
and can be modulated in arts
like, music, verses, songs, dances and films
for the sake of beauty
for the sake of joy
like Lord Shiva, the eternal dancer
humans too can dance in freedom
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yet men and women today
find it difficult to stop
and to rest in stasis (4)
in order to appreciate
and to create the speeds of art
to illustrate:
four of us friends had gone out in a car for a ride
just to escape
just to be together
so, we rushed through a short cut
to a certain road
where we intended to have our ride
but on that road
the traffic was very intense
we could not cruise as fast as my friends desired
so my friends became fidgety, unhappy
and they decided to go back home at once
-what's the hurry, i asked naively
-well, we have to reach home
-but why, what shall we do at home ?
-we shall sit together and talk
-but, said i, we are sitting together and we talk
-that's different, i was told
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one day i was guiding
two visitors from outside india to the taj mahal,
in agra, india
as soon as we reached the site
they said
-so, that's the taj
-yes, i said proudly
and they
-where are we going now ?
of course, they took some photographs
presumably for deferred contemplation
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what has happened to us ? we always had an ecological sense that made us feel perfectly in step with the cosmic ballet for instance, there is an ancient religious poem in which a man in great suffering shouts unto god his anguish why ? he asks and god replies who are you to ask ? can you guide the stars season by season ? (5) thus, over 2000 years ago already people felt intuitively that somehow humans have something to do with the speed of the stars
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that ecological sense has not deserted us
ask a scientist today
can you guide the stars season by season ?
he is likely to reply
why the stars ?
we guide sub-atomic particles
we fire them
we accelerate them
we measure their spin
well knowing that for a change
in the spin of a particle
the universe is affected (6)
true scientists are mostly poets
but beware of science devoid of poetry
for it leads to pathology (7)
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each period of history has had a dominating science
complete with its ideological cocoon
there was biology - Darwin
there was physics - Einstein
the dominating science now is economics
with the present market ideology
that ideology induces desire in us
and speed that is not functional or modulated
is desire rushing in space
a terror where desire has no object
and can never be satiated
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after four decades of so-called development
under the market ideology
there are today more poor
more sick (with new sicknesses too!)
more illiterate
more homeless people
than ever before in the history of humankind
and worldwide 25% of the men women and youths
who would work are jobless
sacrificed on the altar of the market
the incas of ancient mexico
who used to sacrifice humans
to maintain the stability of their order
would look at us with horror
if they had not long been eliminated
in the name of civilisation
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if we disconnect, disengage ourselves
from the market ideology
we can again appreciate
the wisdom of functional speed
the poetry of modulated speed
and we can heal or wounded dignity
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since speed that is not functional or modulated
is desire rushing in space
we must create inner spaces
free of desire
free of the din of the media
the harbingers of the market ideology
free of agitation
and where stasis is again possible
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we create such inner spaces
by means of affirmation
for instance, i affirm, my care for the environment
by freely not smoking
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i affirm my love for all living beings
and my abhorrence of violence
by freely not eating meat and fish
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i affirm my freedom from the transnationals
and my distance from the system they enforce
by freely abstaining from a particular consumer produce
a soft drink, for instance
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such affirmations
with their concomitant abstentions
are not hostile
they are not against any one
and above all they are not expressions of hatred
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they are steps to an ecology of mind
in step with the cosmic ballet (8)
they are personal sacraments
that is, signs that do what they mean
metaphors meant
they remind us that we disagree
they maintain within a small area of protest
and they keep alive our perception
they constitute the ethics and aesthetics of speed
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if we are somehow slaves of the market ideology
it is because we have not taken steps
to free ourselves (9)
if we take but one step now, we shall soon dance
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step in now i wish you godspeed, self-speed
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speed on
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peace
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OM
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shanti
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Notes:
1. For the sake of brevity, the sections of the text in italics were not read at the 8 November 1996 performance. The text was spoken with a number of pauses indicated by the stars.
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During these pauses of 5 to 15 seconds a recorded song was heard: a "khayal" interpreted by Bhimsen Joshi on the raga "lalit", from a live recording of 1991 at Liederhalle Stuttgart, (Digital CD Chhanda Dhara SNCD70392).
2.Huxley, Aldous: "The Doors of Perception,: 1972
3.The Mundaka Upanishad, in The Upanishads., breath of the eternal. The Principal Texts selected and translated from the Original Sanskrit by Swami Prabhavananda and Frederick Manchester. A Mentor Book, 1975, p. 46
4."The sum of evil, Pascal remarked, would be much diminished if men could only learn to sit quietly in their rooms." Aldous Huxley, op. cit.
5.The Bible, The Book of Job, Chapter 38, verse 32
6.In his Penses, Blaise Pascal had said similarly that the ocean is changed for one drop of water thrown into it.
7.Bateson, Gregory: Steps to an Ecology of Mind. A revolutionary approach to man's understanding of himself. Ballantine, N.Y. 1972
8.Gregory Bateson quoted by Anthony Wilden: The Rules of are no Game, The Strategy of Communication, London, Routledge and Kegan Paul, 1987, p 298
9.Moses Coady, leader of the cooperative movement in Canada, has said "If the masses of the people have become, in a sense, slaves, it is because they have not taken the steps or expended the effort necessary to change society." Quoted by David Bedford and Sidney Pobihyshchy in "Towards a People's Economy: The Co-op. Atlantic Experience", Interculture, Vol xxvi, No. 3, Summer 1993, issue # 120.]
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